박병순 시조의 고향 의식 연구 = A Study on Hometown Consciousness of Park Byeong-soon’s Sijo

다국어 초록 (Multilingual Abstract)

My aim is to examine the changing pattern of hometown consciousness shown in Gureumjae Park Byeong-soon’s Sijo.
First of all, the changing pattern of his poem consciousness was examined through selected poems related to the motive of hometown among Park Byeong-soon’s Sijo. This is to inform the public of the literary accomplishment of Park’s Sijo and encourage the public to be aware of the meaning of his hometown by means of exploring his hometown as well because Park Byeong-soon has been considered to be one of the best students of Garam Lee Byeong-gi who can be called “the father of modern Sijo”.
As a poet and intelligent on Sijo renaissance movement and Hangeul distribution movement after Korea’s Liberarion from Japan, Park Byeong-soon was recognized because he changed the postion of modern Sijo from peripheral to central of the realm of Korean literature. To take a look at his literature world, the study of selected poems taken rooted on his hometown consciousness out of his poems written from 1956 to 1991 based on his hometown was made especially as to literary acception course and its pattern according to each period.
It’s because the literature nature of some of poems related to his hometown has much to do with Zeitgeist, meaning the spirit of time and life as well. This kind of examination as to 16 works about his hometown shown in “The Anthology of Gureumjae Sijo” was thoroughly made in this study.
First, his poems can be diveded into three stages such as beginning, intermediate,later stage respectively, which also was been focused on the unit year, ten, from his age 40, which changes his poetic transition pattern and theme consciousness. For example, the period(1956-1965) when he left his hometown, in his forties, can be decided to be beginning stage, mean-while, the period(1966-1975)when he took root in strange place, in his fifties, can be decided to be intermediate stage and the period(1976-1991)when he left his strange place, in his sixties, can be decided to be later stage. Based on this division, the study of his hometown consciousness was made.
In his beginning poems, he described that he identified hometown when he left hometown in 1956. The hometown of developing period or pre-modern period was depicted to be hometown filled with periodic contradiction and chasm instead of space of comfort which was stemmed from the negative consciousness about developing or pre-modernism.
Actually the hometown shown in his poems was construed that a sense of tradition was collapsing, being described to be poverty-stricken countryside not picturesque and pastoral space. In his poem consciousness,hometown was identified with his mother, that is, hometown was understood to be land that had a variety of lifeness like mother’s heart.
In his intermediate poems(1961-1973), he left only one poem in twelve years as to his hometown. As his hometown became barren land because of his mother’s death, he depicted the image of lifeness-lost hometown. as an example, he only left a poem after his mother died. In addition, at the time when this poem was written, he wrote works most postively in the literary world and the industrialization gained momentum. In the period,he also did a couple of things such as education and writing poems, further coping with the time, doing his responsibility, not forgetting Zeitgeist or time spirit.
However, the experience which he got oparated for seven years made him recognize his inner realization through the consciousness, which meant that his consciousness of poem was reflection of negative feeling about his hometown as well as reconciliation.
In his later poems, it was a period when he moved from Jinan to Iksan in 1956, and to Seoul from Jeonju to Seoul in 1979. At that time he was over 60. Mostly poems at the time were written around Korean-version Thanksgiving day or Chooseok day while he was plying from Seoul and Jinan. By means of poems, he tried to tie his ancestor and his ...

국문 초록 (Abstract)

이 글은 구름재 박병순(1917~2008) 시조에 나타난 고향 의식 변화 양상을 연구했다. 박병순 시조에서 고향을 모티브로 한 시를 선별하여 시의식의 변모 양상을 시기별로 살펴보았다. 이것은 현대시조의 태두라고 불리는 가람 이병기의 수제자인 전북 진안군 출신 박병순 시조의 고향 시편을 탐구함으로써 작가 정신과 고향의 의미를 고취시키기 위함이다. 박병순은 ‘시조문예부흥운동’과 ‘한글보급운동’에 앞장선 ‘해방 1세대 지식인’이자, ‘해방 1세대 시인’으로서 현대시조의 권역을 주변부에서 중앙부로 이동시킨 주역으로 평가받고 있다. 그의 문학적 세계관을 알아보기 위해 고향 의식에 천착하여 1956년~1991년까지 창작한 시편 중 고향을 모티브로 한 시를 선별하여 문학적 수용과정과 양상을 시기별로 살펴보았다. 그것은 그의 시에 드러나는 고향시편의 문학적 성격이 시대성과 생명성과도 무관하지 않기 때문이다. 이것을 박병순의 『구름재 시조전집』에 나타난 고향을 모티브 한 작품 16편을 통하여 분석했다. 그의 고향 시편을 초기, 중기, 후기 등 3단계로 구분하면서 그가 고향을 떠나온 40세를 기점으로 하여 10년 단위로 시적 변화 양상에 대하여 주목한 것이다. 박병순이 고향을 떠나는 시점인 40대 시를 초기(1956~1965)로, 이향에서의 정착기인 50대 시를 중기(1966~1975)로, 다시 이향을 떠나는 60대 시를 후기(1976~1991)로 설정하고, 시조에 나타난 고향 의식을 규명했다.

참고문헌 (Reference)

• 1 박병순, "행복한 날" 세원 1997
• 2 박병순, "해돋이 해넘이의 노래" 뿌리 1991
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• 6 권성훈, "작고시인연구 구름재 저편에서 들리는 가람의 노래" (봄) : 2012
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• 17 유성호, "근대문학 양식으로서의 현대시조" (가을) : 2011
• 18 박병순, "구름재 시조전집" 가꿈 1993
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