나혜석 문학에 수용된 여성 담론 연구 = A study on the Women's Discourse accepted in Literary Works of Hye-Seok Na

다국어 초록 (Multilingual Abstract)

The aim of the thesis is to note the effect-acceptance relations how women's discourse of Ibsen and Ellen Key in the Korean-Japanese around 1920s were accepted in the literary works of Hye-Seok Na.
I research how the discourse of Ibsen and Ellen Key accepted in the works of Hye-Seok Na such as Kyunghee, light, Song of Doll, Nora, which were published around 1920s, introduced Korea and Japan in colonial time, and how Hye-Seok Na revealed their discourse in her works through analysing her works in order to study the effect-acceptance relations.
I find out that the acceptance of the discourse of Henrik Ibsen and Ellen Key was for the requirement and the interest of discovery and freedom of modern individuals in Japan. Japanese women feminists considered the self awakening and women's liberation as their ideological background.
Although western women's discourse in Korea in 1920s were reaccepted from Japan, there were many women discourse newly formed. For example, in the case of Ibsen's discourse, which focused on 'Nora's awakening', is was mainly accepted as the evidence that provided Nora as the justification of the modern idea to male mediators in Korea of the colonial time. Ellen Key's ideology was introduced 'a view of love' and 'a view of motherhood' separately.
Hye-Seok Na, who was affected Seito of Laichou drawing the genius in women when she studied in Japan, and contacted many discourse of Ibsen and Ellen Key affecting the woman's liberation in Japan at that time, discovered the possibility of women's self confidence and published the works in order to enlighten Korean women from her early studying in Japan. Furthermore, after she came back to Korea, she joined the male domain-discourses as a female subject to mediate the modern western women's discourses and resisted the idea of the wise wives and nice moms forced by the male dominant discourses. It is important that she formed the new types of women discourse as she enlightened women as female subjects from the various writings.
Although she did not publish the literary works compared to her writings, she emphasized that women were the very subjects with the personality accepting the discourse of Ibsen and Ellen Key in her novel, Kyunghee and in her poems, Light, Song of Doll, Nora.
First, Kyunghee, which is the one with 'self awakening' of Ibsen and 'free love' idea of Ellen Key, focuses on 'the education of women' and 'marriage'. The each character solves his problem changing others into subjects in the story. Kyunghee not only simply shows the awakening modern woman as the female subject, but also shows how the main female character could change herself into the subject by presenting the various aspects of diverse others.
Light, which is the one of poems of Hye-Seok Na treated the problem of 'self awakening', the biggest discussion in modern society, sings that people can enjoy the modern civilization only when they awaken as the enlightened subjects. In addition, Song of Doll and Nora, which were originated from Song of Doll, one of Ibsen's plays, was recreated the poem which requests men to let modern girls be free and modern girls who lived as others in that society to change their lives into female subjects like the speaker of the poem.
Hye-Seok Na accepted the idea that 'women should enlighten theirselves as people and establish their subjecrivities' in the discourse of Ibsen and Ellen Key and emphasized to become 'women who should our personalities as the awakened women' by showing it to Korean women in colonial time in her novel and poems repeatedly.