예이츠의「장미」에 대한 원형적 접근 : C.G. Jung의 이론을 중심으로 In the light of C. G. Jung's theory = An Archetypal Approach to Yeats' The Rose(1893)
저자
이규명 (부산외국어대학교 서양어대학 영어과)
발행기관
학술지명
권호사항
발행연도
1999
작성언어
Korean
KDC
805
자료형태
학술저널
수록면
337-352(16쪽)
제공처
소장기관
ABSTRACTThe aim of this thesis is to interpret The Rose on the basis of Jung's theory
centered on the archetypal aspects, which are represented in the text converted to the
stage of 'Unconscious', a writer's dream. Here there is the justification of the
application of his theory to the text. The kinds of archetypes are anima, animus, the
Self, persona, shadow, wise man/woman, initiation, parenting and etc.In the thesis, the four poems without using the signifier of 'rose' as each theme in
The Rose axe interpreted: "Fergus and The Druid," "The Lake Isle of Innisfree,"
"When You are old," and "The Lamentation of The Old Pensioner." As yet, they are
neglectfully valued, since critics and readers are much preoccupied in the point that
Yeat said that The Rose represents his ex-lover, Maud Gonne, resulting in easily
identifing The Rose with her without the process of critical analysis or survey. This
causes from the blind or dull views of critics/readers.In "Fergus and The Druid," the former is the archetype of 'persona' as the social
position of king to reign over phenomenal or visible order and the latter that of 'wise
man' to pursue supreme truth of universe, which is the representation of
individualization of 'the Self.' Thus their relations are contradictory and inconsistent.
The latter provides "little bag of dreams" for the former longing for an eternal thing,
which can be converted to the sublime object of rose. This exemplifies the conflict
between 'persona' and 'the Self.'For "The Lake of Innisfree," because of its poetic transparency or clarity, every
critic or reader carlessly tends to think of it as a typical lyric. But the isle,
"Innisfree", is the poetic space or primordial stage/point in which all archetypes
reside and play. It functions as a snug shelter of a hometown to comfort man/woman
with terrible trauma or horrible experience from social life, which involves the
frustration of the pursuit of the valuable object of rose.In "When You Are Old," the poetic narrator promises the lasting concern on
'persona' sticking to beauty and 'ego' losing beauty in the transition of time. That is
to say, he loves not only the weather-beaten object without beauty but also the
object coated with skin deep beauty. Here the object means a withered or superficial
rose.In "The Lamentation of The Old Pensioner," we think of the archetype of "broken
tree as a castrated phallus which represents "the old pensioner" and means an
impotent man, The erotic and lively object of rose for which the poetic narrator
chases deviates from his boundary and is recurred only in his deep-rooted memory.
The aim of this thesis is to interpret The Rose on the basis of Jung's theory centered on the archetypal aspects, which are represented in the text converted to the stage of 'Unconscious', a writer's dream. Here there is the justification of the application of his theory to the text. The kinds of archetypes are anima, animus, the Self, persona, shadow, wise man/woman, initiation, parenting and etc.
In the thesis, the four poems without using the signifier of 'rose' as each theme in The Rose are interpreted: "Fergus and The Druid," "The Lake Isle of Innisfree," "When You are old," and "The Lamentation of The Old Pensioner." As yet, they are neglectfully valued, since critics and readers are much preoccupied in the point that Yeat said that The Rose represents his ex-lover, Maud Gonne, resulting in easily identifing The Rose with her without the process of critical analysis or survey, This causes from the blind or dull views of critics/readers.
In "Fergus and The Druid," the former is the archetype of 'persona' as the social position of king to reign over phenomenal or visible order and the latter that of 'wise man' to pursue supreme truth of universe, which is the representation of individualization of 'the Self.' Thus their relations are contradictory and inconsistent. The latter provides "little bag of dreams" for the former longing for an eternal thing, which can be converted to the sublime object of rose. This exemplifies the conflict between 'persona' and 'the Self.'
For "The Lake of Innisfree," because of its poetic transparency or clarity, every critic or reader carlessly tends to think of it as a typical Iyric. But the isle, "Innisfree", is the poetic space or primordial stage/point in which all archetypes reside and play It functions as a snug shelter of a hometown to comfort man/woman with terrible trauma or horrible experience from social life, which involves the frustration of the pursuit of the valuable object of rose.
In "When You Are Old," the poetic narrator promises the lasting concern on 'persona' sticking to beauty and 'ego' losing beauty in the transition of time. That is to say, he loves not only the weather-beaten object without beauty but also the object coated with skin deep beauty. Here the object means a withered or superficial rose.
In "The Lamentation of The Old Pensioner," we think of the archetype of "broken tree as a castrated phallus which represents "the old pensioner" and means an impotent man, The erotic and lively object of rose for which the poetic narrator chases deviates from his boundary and is recurred only in his deep-rooted memory.
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