최상수행시 한국무용수의 심리경험 = Korean dancers , psychological experience at time of peak performance

다국어 초록 (Multilingual Abstract)

The purpose of this study, which targeted Korean dancers working for national/city dance companies(15 males, 61 females) is to find out psychological experiences perceived at time of peak performance. Data collected from its survey went through frequency analysis, which led to the following conclusion.
First, many of the dancers(69.7%) had high target consciousness at time of their peak performance and it was proven that they experience peak performance when most of them(86.9%) have high self-confidence and low fear. Also, most of them had immersion at time of peak performance and each time they were immersed, over half of them(55.3%) had peak performance. This indicates that though they did not always have peak performance each time they were immersed, peak performance can be reached through high level of immersion. Second, they had peak performance to the order of during performance(51.3%), practice and performance(36.8%) and practiced 1.8%) while their peak performance according to their roles showed the order of solo dance(53.9%), main characters of group dances(19.7%), group dances(18.4%), duet(5.3%) and all of these(2.6%). Accordingly dancers had the most peak performance in actual performances and in leading roles.

국문 초록 (Abstract)

본 연구는 한국무용수인 국.시립무용단원 76명(남 15, 여 61)을 대상으로 최상수행 시에 지각하는 심리경험을 알아보는데 있다. 설문조사를 토대로 수집된자료는 빈도분석을 실시한 결과 다음과 같이 결론내릴 수 있다.
첫째，최상수행시 다수(69.7%)의 무용단원이 높은 목표의식을 가지고 있었고대다수(86.9%)가 높은 자신감과 낮은 두려움일 때 최상수행을 경험하는 것으로나타났다. 또한，대다수의 무용단원(90.8%)이 최상수행 시에 몰입을 경험하였고몰입했을 때마다 절반 이상(55.3%)의 무용단원이 최상수행을 경험한 것으로 나타났다. 이는 몰입시마다 최상수행을 보이지는 않았지만 최상수행은 고도의 몰입력에 의해 도달할 수 있다는 점을 시사한다. 둘째，장소에 따른 최상수행 경험은 공연시(51.3%)，연습과 공연(36.8%)，연습시(11.8%) 순으로，역할에 따른 최상수행 경험은 독무(53.9%)，군무의 주연(19.7%)，군무(18.4%)，듀엣(5.3%)，모두 다(2.6%) 순으로 나타났다. 따라서 무용단원은 실전 공연과 주연 역할에서 최상수행을 가장 많이 경험하였다.