식민지의 목소리 - 조선사상통신사(朝鮮思想通信社) 간행 『조선급조선민족(朝鮮及朝鮮民族)』(1927)을 통해 본 식민지/제국의 문화교섭 - = The Voice of Colony The Cultural Negotiation in Colony/Empire Seen through -『Joseongeupjoseonminjok(朝鮮及朝鮮民族, 1927)』 Published by Joseonsasangtongsinsa(朝鮮思想通信社) -

다국어 초록 (Multilingual Abstract)

This writing is a study that analyzed the first edition(1927) of 『Joseongeupjos eonminjok(朝鮮及朝鮮民族)』 in commemoration of the first anniversary in the foundation of ‘Joseonsasangtongsinsa(朝鮮思想通信社)’ that Ideunghandang(伊藤韓堂) managed. Ideunghandang(伊藤韓堂), who regarded a place called the colony Joseon in which he had roots as the foundation of own identity, desired for being non-governmentally achieved ‘Naeseonyunghwa(內鮮融化)’ that had been the political slogan of the Government General in the 1920s. He asserted that there is necessity of listening to ‘Joseon people’s voice’ aiming at the real ‘Naeseonyunghwa(內鮮融化).’ 『Joseonsasangtongsin(朝鮮思想通信)』, which was published for realizing this, translated editorials, current views, and literary works in Joseon people’s newspapers and journals into Japanese. His goal was to allow Joseon people and culture to be understood by Japanese people through this translation. The first edition of 『Joseongeupjoseonminjok(朝鮮及朝鮮民族)』 is what compressively shows the character of 『Joseonsasangtongsin(朝鮮思想通信)』, which had been issued for 17 years from 1926 up to 1943 when Ideunghandang(伊藤韓堂) died. This book of being put 28 pieces of the writing including Choe Nam-seon’s 「Beulhammunhwaron(不咸文化論)」 was involved diverse political voices reaching autonomist, Shinganhoe(新幹會) management including Naeseonilcheronja(內鮮一體論者) in Joseon at that time. Also, it is introduced even an academic discussion about Joseon culture such as Hangeul(Korean alphabet), Mugunghwa(Hibiscus syriacus, the national flower of Korea), Ondol, and Gwageojedo(科擧制度, examination system). Especially, this book is literally left the present status of censorship, thereby being able to confirm which voice in Joseon was considered to be rebellious by the censorship authority. This book was being collided the desires in editors, who try to integrate Joseon into one region of the empire and to signify Joseon culture as local color, and in Joseon intellects, who intend to deliver the voice of subjectivation to Japanese people.