영남춤의 맥을 잇는 운파 박경랑의 작품세계 연구 = A Study on the Artistic World of Unpa park Kyung Rang, a Successor of Yoeongnam Dance

국문 초록 (Abstract)

영남춤의 맥을 올곧이 이어가고 있는 운파 박경랑의 춤세계관을 살피기 위해작품세계를 먼저 살펴보았다.
운파 박경랑의 춤 세계는 다음과 같이 요약해 볼 수 있다.
하나. 대를 잇는 예능 가문의 후손으로 김창후 외증조부의 예능이 현재의 춤꾼 박경랑, 영남교방청춤의 대가 박경랑의 그 예능적 씨앗이 되어주었다.
둘. 보고 듣고 자란 성장의 문화가 전통문화예술을 접하기 쉬운 탓에 좋은 스승과의 만남이 누구보다 수월하였다. 이는 지속적인 전통문화예술의 접근적 용이점으로 해석 될 수 있다.
셋. 좋은 스승, 한 명의 스승에서 머무르지 않고 연계적인 학습, 진보적인 학습을 주도적으로 이끌어가는 춤꾼의 역량을 볼 수 있다.
넷. 교방이라는 인식의 변화가 설익은 시점에서 인식의 오류를 시간적 흐름과 지속적인 활동으로 극복해 내는 용기와 인내성의 예술성이 보인다.
다섯. 산재 되어있던 영남의 맥이 서려 있는 춤을 지속적인 공연으로 영남춤의 매력을 집대성해나가고 있다.
운파 박경랑의 대표작인 영남교방청춤은 다음과 같이 요약 되어 진다.
첫째, 영남교방청춤은 음악과의 혼연일체, 타전통춤에서 쉽사리 볼 수 없는다양한 동작소의 존재, 비주얼의 현대적 감각 수용과 작품의 과학화, 몸 사용법의 차별화를 통해 매력을 발산하고 있다.
둘째, 영남교방청춤은 척박한 교방인식의 시대부터 꿋꿋하고 올곧게 외길인생을 걸으며 오늘의 교방부흥을 일으킨 작품이다.
셋째, 영남교방청춤은 이 시대 교방춤의 교본이자 효시이며, 내일을 여는 전통춤의 초석이 되어 다음 세대로 향하는 문화유산의 모범적인 전형을 보여 주고있다.

다국어 초록 (Multilingual Abstract)

In the world of Park Kyung-rang’s dance, the time of learning and the time of individual constant effort, which are difficult to encounter in the world of open dancers, are limited. Even after taking up the teenage years, not only the outstanding teacher from his twenties, but also Kang Ok-nam, who was a hidden master of Kwon Bun who was in the early night, and Kim Ae-jeong, of Masan Kwon Bun, were invited as dance teachers to study dance. These two were the people who did not appear in public, hiding that they had been involved in Kwon Bun after liberation.
He didn’t hesitate to go to the people and learn. Because of such a learning attitude and the insight of dance, Park Kyung-rang, who is rich in today’s repertoire, exists.
Park Kyung-rang’s stubborn professionalism, which does her best to communicate with evil so that her limp feet do not become a part of her dance on stage, did not come true overnight, and I think it is an asset of great roots that promises Tantandae as a dancer Baek Jae-hwa in 2011.
Criticism of the Arts and Culture of the Year-round. Beyond the fascination of Gyeonggukjimu, Park Kyung-rang’s Yeongnam Gyobangcheong dance.
Park Kyung-rang’s dance world can be summarized as follows.
Hana. He is a descendant of a generation of entertainment families, and the entertainment of Kim Chang-hoo’s great-grandfather became the seed of Park Kyung-rang, the current dancer, and Park Kyung-rang, the master of Yeongnam Gyobangcheong dance.
2. Meeting a good teacher was easier than anyone else because the culture of growth that was seen, heard, and raised was easy to encounter traditional culture and art. This can be interpreted as an easy access point for continuous traditional culture and art.
3. You can see the ability of a dancer to lead linked learning and progressive learning without staying in a good teacher or a single teacher.
4. When the change in perception of Gyobang is undercooked, the artistry of courage and perseverance is seen to overcome the error of perception through time flow and continuous activities.
5. It is compiling the charm of the Yeongnam dance by continuously performing the dance with the spirit of Yeongnam, which was scattered.
The Yeongnam Gyobangcheong Dance, the representative work of Unpa Park Kyung-rang, is summarized as follows.
First, the Yeongnam Gyobangcheong Dance is attractive through its integration with music, the existence of various playgrounds that are not easily seen in other traditional dances, acceptance of modern senses of visuals, scientificization of works, and differentiation of body use.
Second, the Yeongnam Gyobangcheong Dance is a work that has revived today’s Gyobang by walking a single path firmly and upright from the era of barren Gyobang awareness.
Third, the Yeongnam Gyobangcheong Dance is the textbook and the beginning of the Gyobang dance of this era, and it has become the cornerstone of the traditional dance that opens tomorrow, showing an exemplary model of cultural heritage toward the next generation.