한류의 역사적 성격과 동아시아의 서발터니티에 대한 시론 : 신자유주의적 세계화를 역류(逆流)하는 <대장금>의 사례분석 = On the Historical Specificity of Hanryu and the Subalternity in East Asia : The Analysis of the Upstreaming Daejangguem against the Neoliberal Globalization

다국어 초록 (Multilingual Abstract)

This paper deals with the historical specificity of Hanryu and discuss the possibility of reading Daejangguem which is female alternative narrative, through the Eat Asian modernities and the disjunctive sphere of the neoliberal globalization. For this project, firstly I approach the hybridity of Hanryu, criticizing the conventional thought of the regional modernities that is both the radiatonal model and hierarching model of the moderity, and instead alternatively proposing the recognition the particular historical character of the east asian modernities that is also the hybrid mode of the universal modernity, the east asian postcolonial thought, and the shift to the thought of comparison and refernce with the another regional modernities. So we can understand the historical specificity of east asian modernities as 'excess of the modern', not failure of the modern. Secondly, this paper try to theorize the historicizing of Hanryu that constructs the alternative modern subject, considering the formation of the neoliberal globalization, although it is the deconstructive process of the modern subject. Thirdly, I read the textually of Daejangguem as the female alternative narrative, that is the similarity with RPG digital storytelling, the healing process of the sexual trauma in the bourjoire public sphere, the oriental temporalirity of Hwan, and the shamanistic imagination of the untraditional tradtion in East Asia.

목차 (Table of Contents)

• 차례
• 1. 기존 한류 담론의 문제와 한계
• 2. 글로벌 디자인과 이접하는 로컬 역사들, ‘근대의 과잉’으로서 동아시아 근대성
• 3. 신자유주의적 세재화의 주체형성 과정에서 본 한류의 역사성
• 4. 젠더화되는 한류와 대안적 여성 서사로서 〈대장금〉의 독해가능성
• 5. 동아시아의 서발터니티와 한류의 대안적 미래, 격류를 향하여