[논문] '나무'의 생태시문학적 함의 - 헤르만 헤세와 안도현의 경우 = Ecolyrical Implications of 'Tree - Motive' in Hermann - Hesse's Ahn, Do Hyun' Ecolyrics

다국어 초록 (Multilingual Abstract)

This study is to analyze the ecolyrical implications of 'tree-motive' in German Hermann Hesse's ecolyrics and Korean poet Ahn Do Hyun's ones, and to grasp a tendency of ecolyric of two countries.<br/>
Since Rachel Carson, a biologist in USA., warned the hazards of environmental destruction because of abusing of chemical agricultural medicines, ecology has rooted as a principal science in European countries. The cold-war structure between West and East collapsed since 1980s, so human-beings have paid their attention to individual- and national egoism rather than an ideologic problems. Unfortunately, the pursue of egoism fostered the economical development but resulted in environmental pollution and vicious natural devastation.<br/>
In the light of these changes and trends, ecolyrical poets became not to sing the beauty of nature simply but to perform the satirical aspect of nature aesthetically. They embody the life-ideology through their rich poetic imagination seriously and incessantly in the name of ecolyrics, environmental poems or life-poems etc. since 1980s.<br/>
German ecolyrics are the critical verification and warn of the development as far, and aim at the 'ecotopia'. Hermann Hesse's nature-lyrics use mostly aesthetical words, the German ecolyrical poets since 1980s use very straight and radical words, so they are very cynical and paradoxical. On the other the hand, The ecolyrical- and environmental poems of Korea such as Ahn, Do Hyun, are very satirical and metaphoric except for several poets such as Choi, Seung Ho.<br/>
The quince which "holds a few quince-fruits" will not evade the annoying and bothersome rain, because the "october-trees don't know any sorrow". In Germany or Korea, when poets don't write so-called ecolyrics any more, the World can become a livable one.

목차 (Table of Contents)

• 1. 서론
  
• 2. '정원 일'을 통한 탈문명
  
• 3. 나무 - 생명의 발전소
  
• 4. 동심(童心)이 열린 나무
  
• 5. 결론
  
• <참고문헌>
  
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• 저자소개