現代繪畵의 否定性에 對한 硏究 : 唯物辨證法的 論理가 現代繒畵에 미친 影響 = A study on neghtivitiespertaining to modern Arts

다국어 초록 (Multilingual Abstract)

Modern Arts are considered to begin with 20 century and middle of 1940's are regarded as important years.
Since the time of Ce｀zzanne, many theories of pla｀stic Arts have developed and the generalities heavily dominated artistic world.
While the world were in turmoil of war during the world war I and II, this tendency become deepened and Arts seemed to be completely absorbed to therories.
Abstract theories have developed finally and artistic circle began to say highly sophisticated confusing languages even not understandable to both artists and public.
Some theories showed the world of indiscretion for esthetics and non-esthetics.
These happenings are thought to have Hegel's dialectical philosopy as their back ground and division of world into Rigtism and Leftism further propelled the intracacies.
Under the influence of dialectical materialism, leftist philsphers Philsphers a began to rise up and their theories increasingly took power in Artistic world.
Some negativities in modern Arts are thought to be grown on these preparations.
It's interesting to note the fact that, Clement Greenberg, Harold Rosenbarg, Leo Stinberg L, Aragon, Andre Breton, Who are said to be builders of modern Art theories were once communist activists or influenced by the doctrine.
This treatise describes about selectively Avan-garde Artistic expressions after cubismn which praise theories more than beauties.
Author views the essential couse of some decadance, nothingness, diffculties for understandability in modern Arts are contradictions in Artistic methological rationale.
A few trends in modern Arts don't acknowledge men's manyfold character and interprete merely in terms of materialistic concepts.
Author want to present ideal direction of modern Arts by explaining of universal orderliness in authors own understanding and examples of some great artists.

목차 (Table of Contents)

• Summary
• I. 序論一現代繪畵의 槪念一
• II. 現代繪畵와 마르크시즘의 影響
• 1. 마르크스的 繪畵(槪念)
• 2. 마르크시즘의 影響
• III. 唯物 辨證法的 論理와의 類似性
• 1. 論理의 優越性
• 2. 唯物論的 繪畵觀
• 3. 否定的 繪畵觀
• 4. 마르크시즘의「運動」과 액션페인팅의 「行爲」
• 5. 繪畵에서의 마르크스 理論導入
• 6. 現代繪畵理論의 矛盾
• 7. 現代繪畵의 分析考察
• (1) 입체파
• (2) 추상주의
• (3) 다다이즘
• (4) 초현실주의
• (5) 액션페이팅
• (6) 앙포르멜
• (7) 누보리얼리즘, 팝아트
• (8) 해프닝 및 환경예술
• (9) 키네틱아트
• (10) 옵아트
• (11) 미니멀아트
• (12) 대지예술
• (13) 관념에술
• IV. 結論