조형예술과 운동개념 = The Plastic Art and the Concept of Movement

다국어 초록 (Multilingual Abstract)

Ⅰ. The plastic art and the movement
Ⅱ. The expression for the potential movement in Impressionism
Ⅲ. The development of the movement after Impressionism
Ⅳ. Kinetic art and the movement
Ⅴ. Common plastic concept in Impressionism and kinetic art
The creative dialogue of plastics elements within a work of Art are, point, line, plane, form, color, volume, mass and movement etc.
Among them, the concept of the real and potential movement in the plastic arts means the variation and the transfer of the time and space and also leads us to the domain of continous thinking.
The Impressionists expressed nature, by the effect of color movement, to realize this expression, they used the technic, of touch, division and point as a color technic.
The subject matter they selected was natural movement, for example; water. sky, clouds, trees or dancing girls.
They used a scientific approach and aesthetic intention to realize the vision of the future.
Ignoring past traditions, and theories they moved forward, and in so doing many influences on the next generation. Entering the 20th century a period began where machine and technology had a great influence on the artist.
Many artists tried to express movement in their paintings and sculptures, using the force of the natural energy of the machine as a starting point.
The psychological and physical factors of movement when we see the works of art, either in the street or in the galerie make us want to look, to touch, to feel, to percieve and to think about the works.
The porpose of this study is to emphasise, and explain how kinetic art began, and how it penetrated through to the public.
Also how there is a relationship between Kinetic Art and the social enviroment we live in.