공동체 의례로서의 탈놀이에 관한 연구 = A Study on Mask Play as A Community Rituals

다국어 초록 (Multilingual Abstract)

As the times passed, mask play became recorded just in relation to aspects of performance, not functions of regional community. In other words, mask play has been transformed into a spectacular play culture that expresses public consciousness in form of drama. This prevents the culture of community from being recognized It is thought that the conciousness of community formed based on ritual behaviors has played a key role in the maintenance of mask play since it was first created and developed in our community life. In this sense, mask and mask play as main elements of community rituals have their own incantatory, ritual functions, for example, expelling fiends and greeting good fortune, praying a big catch and abundance in the new year, and communicating between humans and between man and nature and integrating all of them into community. Divine plays using mask and mask play in daily life hope, wish and further believe the safety, order and prosperity of community.
Existing mask plays diverted from village guts include Dongrae • Suyoung Yaryu and Goseong • Tongyoung • Gasan Ogwangdae in Youngnam, Yangju Byeolsandae Play and Songpasandae Play in Seoul and Gyeonggi Province and Bongsan • Gangryeong • EunyuJ Mask Plays in Haeseo. In these plays, this researcher tried to find the consciousness of community in terms of rituality, purpose and labor quality, time and play quality, and style.
These plays are very closely related with farming cycle. They are performed mainly at the 15th day in the first month of the lunar year, Danoin May and Chuseok in August all of which are very important national holidays when rituals for agricultural society are considered most effective. Such rituals are involved with prior praying, seeding, growing and harvesting. Yaryu and Ogwangdae are performed in the 15th day in the first month of the lunar year as rituals for prior praying. Sandae mask plays are rituals for seeding, growing and harvesting performed at Dano in May and Chuseok in August And mask plays in Haeseo are performed at Dano in May as rituals for seeding and growing. Those plays are usually proceeded from gilnori to apnori and to mask play and to dwitnori, like the flow of communication, seeking towards uniting regional people and strengthening group cohesion. Thus the purpose of mask play was to form the symbolic order of society through rituals circulating social energy in accordance with cyclic times and seasons
Though farm villages were changed through urbanization and industrialization, things that make us recognize community and at the same time remind us the culture of community life are still remained. As a culture formed based on the style of community life, mask play is a sort of group consciousness that makes sure group values and strengthens group cohesion. It also complies with festivals in that it contributes to the order and unison of social community. Thus it is impossible to newly establish traditional culture and the order of social symbol until mask play is studied after the structure of community consciousness is understood.

목차 (Table of Contents)

• Ⅰ. 서론
• 1. 연구의 목적
• 2. 연구방법 및 제한점
• Ⅱ. 공동체 의례
• 1. 공동체 의례의 의미
• 2. 공동체 의례에서 탈놀이의 역할
• Ⅲ. 탈놀이의 의식성
• 1. 정월대보름 탈놀이의 의식성
• 2. 단오·추석 탈놀이의 의식성
• Ⅳ. 결론
• 참고문헌
• Abstract