동아대학교 함진재 소장 해인사 사간판 인경변상판화의 조사현황과 특징 = The Research Status and Characteristics of illustrations of Woodblock pringing in Temple-published Edition of Haein temple Housed in Dong-A University Hamjinjae

다국어 초록 (Multilingual Abstract)

Ganghwagyeongpan(江華京板, Ganghwa-Capital-Woodcut) or Goryeodaejanggyeongpan[高麗大藏經板, Woodcut of Tripitaka Koreana, generally referred to as Palmandaejang-gyeongpan(八萬大 藏經板, Woodcut of Eighty-Thousand Tripitaka Koreana)] housed in Haeinsa Temple Janggyeong Panjeon(藏經板殿, Storage Hall of Tripitaka Koreana) has gained a lot of attention from a long time ago, and researches have been conducted on them multilaterally. and Woodcut of the complete collection of Buddhist Sutras in Temple-published Edition(寺刊板) with Ganghwaguengpan, made in the mid-13th century, in there too. Eastern·EasternㆍWestern Saganpanjeon (東·西寺刊板殿, Eastern·Western storage Hall of temple-published Edition) in Haeinsa has many gyeongpans made from the mid-13th century till the Chosun Dynasty such as the books of Haeinsa recording the origin or source of Haeinsa, diverse Buddhistic ritual books and dharanis, and also all kinds of gyeongpanhwa(經板畵, Woodcut prints of a sutra). Although Saganpan gyeongpan gained less attention than Goryeo Daejanggyeongpan, some researchers did perform constant research on it and introduce the outline of its list. Woodcut of Buddhist Scriptures in Temple-published Edition(寺刊板) contains woodcut of Buddhist Scriptures consisting of aphorisms and also the precious Woodcut illustrations(變相版畵) as well. Some of the prominent materials of Woodcut illustrations have been known from early days designated as cultural properties; however, the whole picture of Woodcut illustrations in Temple-published Edition has not been figured out concretely yet. Woodcut print of Buddhist Scriptures was neglected from the research as the focus was on sutras as they had the priority, and besides, Woodcut of the complete collection of Buddhist Sutras in Temple-published Edition (寺刊板) could not get attention for its less value and significance than those of Goryeodaejanggyeong. In addition, there were very few places that maintained Ingyeongbon(印經本) in its original state other than the original copy of Janggyeongbon(藏經本) in Temple-published Edition of Haeinsa, and besides, it was hard to get a permission to read it. But Hamjinjae(函珍齋) of Dong-A University Seokdang Academy has transmitted the completion of Ingyeongbon in Temple-published Edition as well as Palmandaejang-gyeong, the Ganghwagyeongpa housed in Haeinsa. This Ingyeongbon is one of the total 13 copies (existing in the inside and outside of Korea) that were drawn out from Haeinsa from 1963 till 1968. In particular, those housed in Hamjinjae of Seokdang Academy include Goryeo Daejanggyeongpan and Ingyeongbon in Temple-published Edition as well securing the original copy of Illustraion of Vol.60 Avatamsaka Sutra(translated by Dongjin (東晋) Buddhabhadra, 418~420) which is omitted in other places and also the main copy of Illustraion of Vol.80 Avatamsaka Sutra(translated by Tang (唐) Sikasananda, 695~699), too. This article primarily investigates Haeinsa Goryeodaejanggyeong and Ingyeongbon in Temple-published Edition among the copies in Hamjinjae in order to figure out the cases and current status of Woodcut illustrations in Temple-published Edition. By the categories of themes, they can be classified into Avatamsaka Sutra`s Painting representing the Mahayana Sutras(大乘經典), Illustraion of Fo Shuo Yuxiu Shiwang Shengqi Jing(豫修十王生七經變相) which was known as a forgery in those days, the illustration of scripture collections such as Bumoeunjunggyeong(父母恩重經), the Gyeolindo(結印圖) of dharani-type Buddhistic scriptures related with the Five Great Mantras and Cheonsugyeong (千手經), pictures associated with Buddhistic rites and Yechamui (禮懺儀; ritual books), and also all kinds of Woodblock Printing corresponding to Sanpanjip(散板集) in Temple-published Edition.