미디어 설치를 통한 자연 감성경험 공간연구 = A study of natural sensibility experience space through media installation

다국어 초록 (Multilingual Abstract)

This study explores the media art installation space for the natural emotional experience and aims to examine the meaning of emotional perception of space in media art works centered on the relationship between humans and nature. We will also analyze the emotional interaction elements in the installation space through a technical interface to discuss the composition of the “atmosphere” space where perceptual experiences are possible. Through this process, we highlight the possibility of realizing natural media space and forming a new human-nature relationship.
   This study sets the installation work, Virtual Garden, using the media technology produced by the researcher as a specific research object. It also attempts to fuse the virtual and real spaces through the composition of the media installation space. For the installation work, the meaning and content of the natural space experience felt by the viewer are investigated. Using media technology by space composition and expanding its area from virtual to natural space, this study aims to find the diversity and meaning of media art installations that organize and analyze a virtual landscape installation work.
  In perceiving and experiencing nature implemented through digital technology, the study refers to the concept of aesthetics and atmosphere proposed by German philosopher Gernot Böhme as a theoretical framework and applies it to specific case analysis. Böhme's sentimental studies began with a critical reflection on modern aesthetics. In addition, the object of aesthetic exploration was expanded to the target world, nature, and the environment surrounding humans. The concept of “atmosphere” was introduced in aesthetic criticism to aesthetically examine objects that could not derive objective concepts or clearly define them within artworks. Böhme explained the general sentiment that appears when subjects and objects are mixed in a specific space. In applying Böhme's definition of aesthetics and atmosphere to nature implemented with digital technology can explain the meaning of viewer perception and behavioral sensitivity in a new world that arose at the boundary between virtual and reality.
  By studying the transition into natural mood space through the three categories of spatial composition — ⅰ) a combination of place characteristics, ⅱ) interface, and ⅲ) virtual image and imagination — we examine in detail the composition and meaning of the researcher's media installation work, Virtual Garden. The process of completing the aesthetic meaning of the work through the emotional experience of the viewer is examined at various levels.
  Nature embodied through media technology in the researcher's work, Virtual Garden, creates a natural atmosphere space by blending with the actual space. The viewer in the Virtual Garden space becomes part of the space and interacts with the surrounding environment. In this process, the viewer can physically experience the change of space. It presents a new natural emotional experience to modern people who are domesticated in the homogeneous space of the city. Through the expansion and immersion of the senses, viewers of this installation are expected to enjoy free experiences at the boundary between reality and imagination that may induce a change in their perception of nature. In this way, Virtual Garden — which allows viewers to practice and consider the relationship between nature and humans — is expected to show the ecological and aesthetic potential of media installation works.

목차 (Table of Contents)

• Ⅰ. 서론 1
• 1.1 연구배경 및 목적 1
• 1.2 연구방법 및 범위 6
• Ⅱ. 자연 경험과 감성적 지각 9
• 2.1 자연 상실과 새로운 관계 모색 9
• 2.2 자연에 대한 태도 19
• 2.2.1 경관에 대한 관조 19
• 2.2.2 물리적 참여와 신체지각 26
• Ⅲ. 게르노트 뵈메(G. Bohme)의 분위기 감성학 32
• 3.1 분위기(Atmosphere) 개념과 특징 32
• 3.2 분위기 공간의 구성 및 연출 37
• 3.3 감각적 몰입과 미디어아트 공간 40
• Ⅳ. 미디어 기술에 의한 '분위기' 공간구성 49
• 4.1 공간연출 요소와 장소적 특성 49
• 4.2 인터페이스의 특성과 역할 55
• 4.3 가상이미지와 상상력의 조합 63
• Ⅴ. 미디어 설치작품 <가상정원> 공간 67
• 5.1 <가상정원> 공간의 구성요소 67
• 5.1.1 식물매체 65
• 5.1.2 인터페이스 74
• 1) 스크린 인터페이스 74
• 2) 빛, 소리 센서 79
• 5.1.3. 가상풍경 87
• 5.2 감성적 주체와 지각경험 103
• Ⅵ. 결론 107

참고문헌 (Reference)

• 1 심윤선, 채정우, "인터랙티브 미디어에 의한 도시 생태성 개념의 확장", 한국공간디자인학회,52, 2018
• 2 서상희, 이정은, "스마트 기기에 의한 다중참여형 미디어파사드의 예술형 식에 대한 연구", 한국과학예술융합학회, 18, 2004