김춘수 『처용단장』 1부의 역사 이미지 연구 = A Study on Historic Image in First Part of 『Cheo-Yong Fragment Literature』 of Kim chun-soo

다국어 초록 (Multilingual Abstract)

This article analyzes the historical image that appears in the first part of Cheo- Yong fragment literature of Kim Chun-soo. Kim Chun-soo has a strong antipathy for the violence and ideology he has experienced, and to respond to this, he will reconstruct his history through poetic experiments. This kind of history is presented through the numerous images that appear in the first part of 『Cheo-Yong fragment literature』. At this time, the image has various personalities. To accommodate history, Kim Chun-soo extracts images that appear through pure time rather than linear time. And these views of time showed the appearance of a mixture of past, present and future. This acquires a phase that discriminates against the recorded history. In addition, the images presented through various sensations of the object are also noteworthy. These sensory images help ensure that the secret history of the poet's consciousness is concrete rather than fiction. This image of the poet's senses appears through a dialectic of time and sense, which is an image as a fragment that the overall form of the work is inclusive. The image of debris, which is endlessly disconnected from the semantic network and escapes, provides a formal basis for the poet's historical space, and the image is named privatization to provide an opportunity to identify the character of Kim Chun-soo's secret historical space. Poet finds that the history built through many images and objects deviates from metaphysics and is composed of images that are close to the concreteness of life based on formal necessity.