KCI등재
韓․日 <모심는소리>(田植歌)의 제의성(祭儀性) 비교 연구
저자
권오경 (부산외국어대학교)
발행기관
학술지명
권호사항
발행연도
2008
작성언어
Korean
주제어
등재정보
KCI등재
자료형태
학술저널
수록면
7-58(52쪽)
KCI 피인용횟수
1
제공처
The function of Korean and Japanese rice planting song is praying to the God of paddy for the well harvest and reducing the pain of labor related planting rice. But in the case of Korea, There is nothing paper especially for the ritual quality. So, the aim of this paper is to research the ritual quality of Korean rice planting song comparing with Japanese’s. The purpose of comparison with Japan’s rice planting song specially in the area of Joo-koku, near the Hirosima is that there are some equal qualities of singing and text composing methods.
At first, I prepared the assumption related structure of rice planting song with the time of physical and ritual, and there two times are divided but not separated and are united in the texts of rice planting songs. In other words, the texts of these songs are basically composed with ritual time and real time-the labor time. This assumption was verified with the procedure of performance of songs in turn.
Ritual quality is composed in the orders of reception, amusement, and sending off the God. But the last order is not appeared because for the good harvest always the God is needed in the paddy from spring to fall. In stead of last order, There is another order related sunset. Farmers feel the uncertainty of life with the sunset and sing about that. And at the same time, they think about dead and separated with their family and also feel the fear and they sing a song about sexual song to conquer fear and uncertainty. This performance means that human wants revival and also they symbolize that little rice which is planted in paddy grow up healthy so get a abundant grain. These orders and structure of texts are similar with Japanese rice planting song. But in the case of Japanese, The texts are composed closely by the ritual especially in the point of God of paddy. Korean paddy God is Dragon and Japanese God is ‘Sanbai’-this name is equal with leading singer’s-. So we have to recognize that Korean songs are symbolized with ritual. But on the surface of texts there are more sexual and amusable contents than ritual.
In this paper, I only treated rice planting song in Yung-Nam province. But If we scale up the texts regarding rice songs, we could get more ritual quality. This ritual quality can give us informations about the contents of texts. So we can understand why these words are used and how these texts perform in the real time. These are very important things that how can Korean farming songs get a competitive power in the world and how can we develop and transmit our traditional farming songs. Ritual quality in traditional farming songs is not on the surface but live under the texts and performance.
The function of Korean and Japanese rice planting song is praying to the God of paddy for the well harvest and reducing the pain of labor related planting rice. But in the case of Korea, There is nothing paper especially for the ritual quality. So, the aim of this paper is to research the ritual quality of Korean rice planting song comparing with Japanese’s. The purpose of comparison with Japan’s rice planting song specially in the area of Joo-koku, near the Hirosima is that there are some equal qualities of singing and text composing methods.
At first, I prepared the assumption related structure of rice planting song with the time of physical and ritual, and there two times are divided but not separated and are united in the texts of rice planting songs. In other words, the texts of these songs are basically composed with ritual time and real time-the labor time. This assumption was verified with the procedure of performance of songs in turn.
Ritual quality is composed in the orders of reception, amusement, and sending off the God. But the last order is not appeared because for the good harvest always the God is needed in the paddy from spring to fall. In stead of last order, There is another order related sunset. Farmers feel the uncertainty of life with the sunset and sing about that. And at the same time, they think about dead and separated with their family and also feel the fear and they sing a song about sexual song to conquer fear and uncertainty. This performance means that human wants revival and also they symbolize that little rice which is planted in paddy grow up healthy so get a abundant grain. These orders and structure of texts are similar with Japanese rice planting song. But in the case of Japanese, The texts are composed closely by the ritual especially in the point of God of paddy. Korean paddy God is Dragon and Japanese God is ‘Sanbai’-this name is equal with leading singer’s-. So we have to recognize that Korean songs are symbolized with ritual. But on the surface of texts there are more sexual and amusable contents than ritual.
In this paper, I only treated rice planting song in Yung-Nam province. But If we scale up the texts regarding rice songs, we could get more ritual quality. This ritual quality can give us informations about the contents of texts. So we can understand why these words are used and how these texts perform in the real time. These are very important things that how can Korean farming songs get a competitive power in the world and how can we develop and transmit our traditional farming songs. Ritual quality in traditional farming songs is not on the surface but live under the texts and performance.
분석정보
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2028 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2022-01-01 | 평가 | 등재학술지 유지 (재인증) | KCI등재 |
2019-01-01 | 평가 | 등재학술지 유지 (계속평가) | KCI등재 |
2016-01-01 | 평가 | 등재학술지 선정 (계속평가) | KCI등재 |
2015-12-01 | 평가 | 등재후보로 하락 (기타) | KCI후보 |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | KCI등재 |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | KCI등재 |
2006-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | KCI등재 |
2005-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | KCI후보 |
2003-07-01 | 평가 | 등재후보학술지 선정 (신규평가) | KCI후보 |
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.36 | 0.36 | 0.4 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.42 | 0.48 | 0.862 | 0.04 |
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