변화와 생성의 리얼리티: 파벨 필로노프의 “네오리얼리즘”

다국어 초록 (Multilingual Abstract)

This article investigates Russian avant-garde painter, Pavel Filonovs visual and verbal texts: his paintings, aesthetic declarations, tractates on art philosophy and an experimental poem Chant on Universal Sprouting (Пропевень о мировой проросли), written in futuristic Khlevnikovian transrational language. First of all the principal purpose of this article is to acquaint readers with Filonovs verbal text, which has not been properly appreciated by researchers in comparison with his paintings. An analysis of the correlation between his verbal and visual works would also be one of the main themes of this article.
In the first chapter would be explored Filonovs time-image seemingly inspired by bergsonian philosophical concept duration. Filonov tried to represent the flow of time itself, which often resulted in grotesque forms and colors of his paintings. In the second chapter would be summarized Filonovs aesthetic theories, his artistic concepts and also be explained his authentic new reality in the context of Russian culture at the beginning of 20th century. We also investigates his peculiar artistic concepts like analytic art, oevre and declaration of the World Blooming. In the third chapter focusing on Filonovs experimental poem Chant on Universal Sprouting, we reveal his belief in the organic principle of life and Blossoming of the world through the creation. His artistic theories would be reviewed and his entire paintings are examined from the evolutionary perspective. In the conclusive fourth chapter would be showed Filonovs orientation to the organic poetics and reveal his artistic utopianism aspired in it.

참고문헌 (Reference)

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