KCI등재후보
동남아시아의 청자 : 베트남과 타이를 중심으로 = Vietnamese and Thai Celadons
저자
야지마 리쓰코 (일본 마치다시립박물관)
발행기관
학술지명
권호사항
발행연도
2013
작성언어
Korean
주제어
KDC
609
등재정보
KCI등재후보
자료형태
학술저널
수록면
163-200(38쪽)
제공처
It's true that celadons produced in Southeast Asian countries were deeply influenced by Chinese ceramics. But some of them are very peculiar to particular countries. This paper will discuss about the characteristics of celadons produced in Vietnam and Thailand. Vietnamese celadons
When Vietnam was under the political control of China, it produced very similar ash
glazed pottery to South China-Guangdong and Guangxi. After becoming an independent nation, under the Ly dynasty, they began to produce their own style of ceramics. Typical Ly ceramics are white wares, which have finely shaped thin bodies. Ly celadons were few and only one type is known. It has the same characteristics in molding and stacking to Ly white wares and the finely molded flower design inside, which copies 11th to 12th century typical Yaozhou celadon.
During the Tran dynasty, Vietnamese ceramics rapidly developed. Various monochrome wares, white, green, brown, and celadons were produced. Celadons could be said to be the most typical ware of this period because of their quantity and various styles. Considering the relation to Chinese ceramics, the Tran celadons can be divided into three groups.
The first group consists of those which copied the Longquan type celadons,especially the Shin-an type, wholly or partly. Some of them have added Vietnamese elements or have been altered to be more suitable to Vietnamese taste.
The second group consists of those which gathered various elements from several
Chinese wares-Qingpai, Shu-fu, and celadons made in Yaozhou and southern China, and blended them, sometimes with Vietnamese elements, into quite an unique style.
The third group consists of those which have very obvious Vietnamese characteristics in their shapes or decorative designs. Several kiln sites of these celadons have been found recently. Ha Lam near Tuc Mac in Namding where the secondary capital of Tran was located, Kim Lan near Bat Trang and Thang Long.
One of the distinctive features of Vietnamese celadons is a free application of Chinese styles. Various styles were borrowed from Chinese ceramics and blended or combined to Vietnamese own styles. This autonomous importation resulted in their remarkable originality. Thai Celadons There were two main areas in Thailand where celadons were made. One was Sri Satchanalai Kiln near Sawankahloke Town. It began to make pottery in the the Sukhothai Kingdom period and celadons from the later 14th through to the 15th centuries. They were exported abroad widely by the Ayuthya Kingdom, which merged the Sukhothai Kingdom at the fisrt of the 15th Century. Sri Satchanalai celadons have a transparent blue glaze and hard thick body. The most typical type is a large deep dish with small foot and floriated rim, decorated with an incised flower design. These shape and decorative design were apparently influenced by Yuan dynasty Longquan celadon.
The other center was located near Chiang Mai, the capital of Lan Na Thai Kingdom. Some kiln complexes are scattered near this old capital. Their products weren°Øt exported overseas and mostly brought to the inland, to areas around Chiang Mai, the border area to Myanmar, the upper area of River Me Lao and Laos. Among them, Kalon celadon has a calm shape and thin body, perhaps influenced by Ming dynasty celadons and Jingdezhen wares. This difference between two celadon centers might have occured due to the different relations with China.
The Sukhothai Kingdom had a very good relation with the Yuan dynasty. They sent
tributary missions several times, which were continued during the Ming dynasty period. On the other hand, Lan Na didn't have good relations with the Yuan dynasty, which often had problems with Lan Na. But Lan Na often sent tributary missions to Ming court. Chinese cultural influences also can be seen in Buddhist stupas in the Lan Na region style of which resembled to Chinese one in the later 15th century.
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