韓國 現代詩의 構造와 聽者의 反應에 관한 硏究 : 金春洙 詩를 中心으로 = A Study on the Structure of Contemporary poetry and Audience Response
저자
金賢子 (이화여자대학교 국어국문학전공)
발행기관
학술지명
권호사항
발행연도
1987
작성언어
Korean
자료형태
학술저널
수록면
33-53(21쪽)
제공처
소장기관
This thesis has examined audience response toward a diversified attitude by the poet who versed to the world and readers in parallel with psychological distance among the audience namely phenomenal auditors, implicative auditors and actual readers centered on the poems by "Kim, Choon-soo".
All the response by which readers were aroused after reading a poem can be interpreted as a synthetic form based on various experiences.
It means that a variety of capabilities of the readers who arouse their responses would be concentrated on a particular stimulus, and this impulse would influence the readers and drive them toward a specific direction. The meaning and the structure of the text would be found and felt by the readers.
Also, the whole things that are perceived by sense and conjecture are largely dependent upon the concept that is so called the reader's experience are correlated with them. The readers' experiences or their responses are existed in either every spiritual activities or a sphere of psychological symptoms, and thus, the thing to provoke an intensive possibility producing a certain meaning or a fresh impact can be regarded one of the distinctive goals set by the poem.
For this reason, the relationship between the poet and… the readers would inevitably make up a concern of tension and emotional entanglement between them. The poet would take the reader's expectation into his consideration when he writes a poetry and also would consciously stimulate it.
Because of the fact that a normal way to produce narrative behavior cannot effect a linguistic impact to the readers, the poem's structure should be "non-automatic". The message possessed by the text could be effective only when the readers are unable to predict it, and it could determine the diversified response of the readers toward the text.
In such a sense, the poems written by "Kim, Choon-soo" have reversed a series of expectancy or presupposition relied by the readers and attempted to avoid or parody or newly reform a conventionally fixed form of verse that passes for lyrical poem and would induce the readers into an active participation and a positive interpretation.
It appears to make an attempt to reach the non-inconsistency of a highstrung text meaning that creates a peerless uniqueness with presenting a deviation and an ecstasy of displacement which would occur in the violation of solvability or its destruction during the process of reading.
Such techniques endeavored by Kim, Choon-soo would present an experimental objectivity to the readers through utilizing the external subject matters such as " Cheo-yong", "Chikwee", "Lee, Choong-sub", "Luo" and "Cervantes" in the first place. And at the same time, these works tried to converse the meaning of an existence according to the inimitable objective disguise by the poet.
Secondly, apart from the world of meaning, by repeating the inconsistency nearly bounded by a speel and acoustic evocative action by sound, it would enable implicative auditors to reach an instinctive, intuitive world.
Thirdly, the disposition of arranging in a row that is not analyzed and the logical gap or the correlation of image would be thoroughly relied upon the imaginative power of the readers.
Fourthly, through adjusting the emotional distance among phenomenal auditors, implicative audience and actual readers according to the peculiarity of dramatic tone, it would enable the readers to grasp its emotion more clearly, in other words, among the poet and the speaker, the speaker and the auditor, the text and the actual readers.
Fifthly, therefore, through an ironical expression that a logical context has not come into contact, a random element that mobilize occasionally slang and colloquial and the compositeness of attitude, it has been attempting a ceaseless transmogrification.
These displacement elements and techniques devised by Kim, Choon-soo would accordingly require the pertinent readers to re-read it over again every once in a while.
In this context, such as endless re-reading requirement connotes to be able to seize an emotional and logical aspect of poetic implication in this particular regard.
서지정보 내보내기(Export)
닫기소장기관 정보
닫기권호소장정보
닫기오류접수
닫기오류 접수 확인
닫기음성서비스 신청
닫기음성서비스 신청 확인
닫기이용약관
닫기학술연구정보서비스 이용약관 (2017년 1월 1일 ~ 현재 적용)
학술연구정보서비스(이하 RISS)는 정보주체의 자유와 권리 보호를 위해 「개인정보 보호법」 및 관계 법령이 정한 바를 준수하여, 적법하게 개인정보를 처리하고 안전하게 관리하고 있습니다. 이에 「개인정보 보호법」 제30조에 따라 정보주체에게 개인정보 처리에 관한 절차 및 기준을 안내하고, 이와 관련한 고충을 신속하고 원활하게 처리할 수 있도록 하기 위하여 다음과 같이 개인정보 처리방침을 수립·공개합니다.
주요 개인정보 처리 표시(라벨링)
목 차
3년
또는 회원탈퇴시까지5년
(「전자상거래 등에서의 소비자보호에 관한3년
(「전자상거래 등에서의 소비자보호에 관한2년
이상(개인정보보호위원회 : 개인정보의 안전성 확보조치 기준)개인정보파일의 명칭 | 운영근거 / 처리목적 | 개인정보파일에 기록되는 개인정보의 항목 | 보유기간 | |
---|---|---|---|---|
학술연구정보서비스 이용자 가입정보 파일 | 한국교육학술정보원법 | 필수 | ID, 비밀번호, 성명, 생년월일, 신분(직업구분), 이메일, 소속분야, 웹진메일 수신동의 여부 | 3년 또는 탈퇴시 |
선택 | 소속기관명, 소속도서관명, 학과/부서명, 학번/직원번호, 휴대전화, 주소 |
구분 | 담당자 | 연락처 |
---|---|---|
KERIS 개인정보 보호책임자 | 정보보호본부 김태우 | - 이메일 : lsy@keris.or.kr - 전화번호 : 053-714-0439 - 팩스번호 : 053-714-0195 |
KERIS 개인정보 보호담당자 | 개인정보보호부 이상엽 | |
RISS 개인정보 보호책임자 | 대학학술본부 장금연 | - 이메일 : giltizen@keris.or.kr - 전화번호 : 053-714-0149 - 팩스번호 : 053-714-0194 |
RISS 개인정보 보호담당자 | 학술진흥부 길원진 |
자동로그아웃 안내
닫기인증오류 안내
닫기귀하께서는 휴면계정 전환 후 1년동안 회원정보 수집 및 이용에 대한
재동의를 하지 않으신 관계로 개인정보가 삭제되었습니다.
(참조 : RISS 이용약관 및 개인정보처리방침)
신규회원으로 가입하여 이용 부탁 드리며, 추가 문의는 고객센터로 연락 바랍니다.
- 기존 아이디 재사용 불가
휴면계정 안내
RISS는 [표준개인정보 보호지침]에 따라 2년을 주기로 개인정보 수집·이용에 관하여 (재)동의를 받고 있으며, (재)동의를 하지 않을 경우, 휴면계정으로 전환됩니다.
(※ 휴면계정은 원문이용 및 복사/대출 서비스를 이용할 수 없습니다.)
휴면계정으로 전환된 후 1년간 회원정보 수집·이용에 대한 재동의를 하지 않을 경우, RISS에서 자동탈퇴 및 개인정보가 삭제처리 됩니다.
고객센터 1599-3122
ARS번호+1번(회원가입 및 정보수정)