浮世繪에 표현된 小袖의 문양특성에 관한 연구 = A Study for characteristics of pattern appeared on Kosode having emerged in Ukiyo-e

다국어 초록 (Multilingual Abstract)

This research aims to examine the Japanese preference of pattern by analyzing characteristics of patterns having emerged in Ukiyo-e, a culture of cho-nin that has made a broad impact on art and culture in the Edo Era, in conjunction with social, cultural, and ideological backdrops of the then masses.
The methodological approach to this research generally relies on referring to numerous domestic and international literatures on Ukiyo-e including books and periodicals, written and pictorial archives mainly from the National Diet Library in Japan, and reliable websites concerned with the Japanese culture.
This research focuses on the Edo Era (1600～1868) and its subjects to be dealt with include drawings illustrating red-light districts and the masses in the early and mid-Edo Era, and Kabuki performers in the late. It looks into features of Kosode pattern by categorizing it into the natural, geometrical, theatrical pattern, and multiple one respectively. In addition to this, in order to grasp the applicability of these patterns to Ukiyo-e, this research examines the then trendy and preferential patterns by analyzing frequently-used patterns and ways of their composition as well as expression.

다국어 초록 (Multilingual Abstract)

This research aims to examine the Japanese preference of pattern by analyzing characteristics of patterns having emerged in Ukiyo-e, a culture of cho-nin that has made a broad impact on art and culture in the Edo Era, in conjunction with social, cultural, and ideological backdrops of the then masses.
The methodological approach to this research generally relies on referring to numerous domestic and international literatures on Ukiyo-e including books and periodicals, written and pictorial archives mainly from the National Diet Library in Japan, and reliable websites concerned with the Japanese culture.
This research focuses on the Edo Era (1600～1868) and its subjects to be dealt with include drawings illustrating red-light districts and the masses in the early and mid-Edo Era, and Kabuki performers in the late. It looks into features of Kosode pattern by categorizing it into the natural, geometrical, theatrical pattern, and multiple one respectively. In addition to this, in order to grasp the applicability of these patterns to Ukiyo-e, this research examines the then trendy and preferential patterns by analyzing frequently-used patterns and ways of their composition as well as expression.

참고문헌 (Reference)

• 1 백승재, "조선 후기 풍속화와 일본 에도시대 우키요에(浮世繪) 비교 연구"
• 2 박옥련, "일본복식과 문양" 형설출판사 150 -, 2006
• 3 국립중앙박물관, "일본미술명"
• 4 尹姬榮, "일본 에도시대 색채의 상징성 고찰" 韓國外國語大學校 日本學科 52-60, 2000
• 5 고바야시 다다시, "우키요에의 美"
• 6 크리스틴구스, "에도시대의 일본미술" 예경 113-120, 2004
• 7 "고려대학교 교육대학원 미술 교육 전공"
• 8 "菱菊文??文小袖"
• 9 "江戶の粹"
• 10 "歌舞技浮世繪畵廊"
• 11 河上繁樹編, "染織品の修理 日本の美術453"
• 12 "日本被服文化史, 元井 能著, 光生館"
• 13 元井 能著, "日本被服文化史" 光生館 65-69, 1994
• 14 이행화, "日本小袖에 나타난 文樣에 관한 硏究" 경성대학교 의류학과 1998
• 15 長崎 巌, "日本の染織 ④ 小袖"
• 16 長崎 巌, "日本の 染織 ⑥ 振袖"
• 17 蘇元日燦, "日本 우키요에(浮世繪)의 人物畵에 관한 硏究"
• 18 "文樣の歷史,"
• 19 馬場まみ, "寬文小袖の文樣表現に關する一考察"
• 20 "http://metro.tokyo.opac.jp"