이청준의「소문의 벽」에 나타난 "대화 재현" 연구 : 진술을 억압하는 타인의 시선 = A study on "Reproduction of Dialogue" presented in <A Wall of Rumor> written by Lee Cheong-jun : Another person's gaze repressing a statement
저자
신혜순 (숙명여대)
발행기관
학술지명
권호사항
발행연도
2009
작성언어
Korean
주제어
KDC
411
자료형태
학술저널
수록면
131-161(31쪽)
KCI 피인용횟수
0
제공처
Rimmon Kennan has seen participants in situations of narrated communication, the temporal and hierarchical relationships between narration and stories, and diverse discussions between speakers and listeners as a matter of suggestion about events and dialogues. The reproduction of dialogue is deeply connected with narrative strategies about what and how a writer speaks, or how the writer illustrates matters in the narrative. In other words, a speaker plays an intermedia.iil role between readers and events, as well as an intervention role. At this moment, diverse interpretations and many types of dialogue reproduction are taking place and they become as important as the characters and events based on how much the narrator is engaged or not engaged in such roles.
<A Wall of Rumor>(1971) by Lee Cheong-jun is a literary work connoting interesting multi-characteristic problems caused by dialogue reproduction. Cheong-jnn Lee drew a question as to "problems of writing" when he released <the Falconer>, a literary work, in the July edition of 'Shindongahj in 1968. Since then Lee has studied words(language)in-depth in his own novels. The structure of such novels require arduous patience to bring to light those events or elements which have been taken as a subject. Who on earth is the body that represses autonomy and deters continuation of statements?
Thus far, there have been many cases where criticism of the words and language in Lee's novels were pointed out, and the characteristics of his novels were resented, but there have not been many cases where his actual works have been dealt with, with patience.
Accordingly, in this study,「A Wall of Rumor」, the literary work of Lee Cheong-jun, was analyzed focusing on the novel technique, which is called "Reproduction of Dialogue". The analysis results, which are based on how the critical mind of the writer has been reproduced through "Reproduction Dialogue" and what another person's gaze that has coercive effects on Park's statement may be, has been classified into three categories.
The first regards the attitudes of the narrator and characters in the novel; the second, the statement of the main character, Park Jun, and the third, autonomy as to honest statements.
They are departmentalized as follows. First, regarding the attitudes of the narrator and characters, the characters' attitude changes may be reviewed through the doctor's attitude and antagonistic relations between the narrator and Ahn Hyeong. Second, in 'Park Jun"s self-statement, the situation in which the writer's statement was carried out based on the three categories such as the self-supporting statement, the three novels and the intended statements. In the case of the so-called novelist, namely the main character 'Park Jun', from what his statement repressed or what statement he wanted to make that could be determined through the conversation. Third, honest autonomy was divided and arranged into categories such as repeated statements, casuality of events and the continuation of honest statements. Situations where liberal writings could not be carried out may exist in any period, or for any writer. However, the problems of autonomy and the continuation assigned to them, remain as a 'fear of the flashlight' that we should overcome by ourselves.
「A Wall of Rumor」 written by Lee Cheong-jun is a novel in which the narrator makes up the story based on an exploration into 'Park Jun' and a self-reflection on his own work, as the narrator meets 'Park Jun', the main character. In the sense that the narrator obtains a study result after undergoing various discussion processes on a certain problem, it may be regarded as subjective, but it also keeps objectiveness and universality. The technique, which reminds us of a detective story, is enough to draw the reader's interest. During the process, curiosity about 'Park Jun' is doubled, and information about 'Park Jun' is collected as the resolution of problems rush to a settlement. Such a deductive narration derives a positive effect as it gets united with the narration technique, called the "Reproduction of Dialogue". It does not, however, show any accurate or definite results though it is inferring the result or cause of events. As a result, it is regarded as a merit of narrative strategy, but as a weak point as well.
In this manner, dialogue can be defined as a means to satisfy reader requests about concreteness, and direct narration refers to the colloquial language spoken by characters in literary works. Even in the direct narration or internal soliloquies in this work, such cases occur from time to time, in which the depictor confirms the content through summary as the narrator intervenes into each case. Accordingly, there seems to be much <explanation> despite the presence of various objective elements. In such a case, there is merit that the story can be economized in terms of time, and the personalities of characters and outlines of events can be described economically. One weak point, however, is that it is taking place simultaneously, and reader imagination may be limited, as much as it is economical.
If so, what is「A Wall of Rumor」 looking for through the "Reproduction of Dialogue"? What cannot be left out in this novel is the 'fear of the flashlight'. The flashlight itself symbolizes an oppressive existence, and the target of the oppression could be 'Park Jun', the writer, or another person who is depriving him of the freedom of statements. The elements which drive the writer to insanity, are the statements made by external powers and internal factors looking at the novelist, the society that restrains the autonomy of statements and political situations. The 'fear of the flashlight' does not refer to a general and simple meaning for fear, but to a feat against the invisible existence hiding behind the flashlight. All those causes can not repress the writer's liberal statements forever. This is because a writer is not guaranteed to have autonomy of statements, but has a destiny to look for freedom as he or she is forced to make an honest statement. A writer who was born for such a destiny shall overcome the 'fear of the flashlight' by him/herself. The writer should keep on making liberal statements without being overwhelmed by any rumors, free from another's gaze repressing his or her statements. This literary work has shown such a situation through the "Reproduction of Dialogue", and it has significance if only for the attempt.
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