KCI등재
김석범 소설에 나타난 혁명적 여성 주체 -한글 『화산도』(1967)와 대하소설 『화산도』(1997)를 중심으로- = A Study of the Revolutionary Female Subject in Kim Sok-pom's Novels -Focusing on the Hangul 『Hwasando』(1967) and the River Novel 『Hwasando』(1997)-
저자
발행기관
학술지명
권호사항
발행연도
2023
작성언어
Korean
주제어
등재정보
KCI등재
자료형태
학술저널
발행기관 URL
수록면
179-218(40쪽)
DOI식별코드
제공처
Kim Sok-pom (1925~ ) is a Zainichi Korean writer who appeared on the Japanese literary scene in 1951 under the pen name Park Tong, whose most famous work is the river novel 『Hwasando』(1997, Munye Chunchusa). The river novel 『Hwasando』 is based on the novel of the same name, 『Hwasando』(hereinafter referred to as the hangul 『Hwasando』), which was written in Korean language (Hangul) and published in 1965 in 『Literature and Arts』, the organ of the Korean Writers' and Artists Union in Japan (hereinafter referred to as KWAUJ). The Hangul 『Hwasando』 is a novel written in Korean language by Kim while he was working in the editorial department of an organ affiliated with the General Association of Korean Residents in Japan (hereinafter referred to as GAKRJ) and is the last of his Korean-language novels. After 「Pheasant Hunting」(1961, 『The Choson Sinbo』), 「Soul」(1962, 『Literature and Arts』), and 「At a Pier」(1964, 『Literature and Arts』), Kim's fourth Korean-language work, 『Hwasando』, was published in 『Literature and Arts』 from 1965 to 1967, but the series was never completed. Kim left the GAKRJ without completing the Hangul 『Hwasando』 due to health reasons, and nine years after the Hangul 『Hwasando』 was discontinued, he began rewriting the river novel 『Hwasando』 titled 『Haeso』.
Kim, who had been immersed in the literary response to the Jeju 4․3 Incident from his first novel collection, 『Death of a Crow』, to his river novel, 『Hwasando』, recalls that he was inspired to write a novel of a bitter struggle after hearing the testimony of a relative, a woman who had smuggled herself from Jeju to Japan, that her breasts had been removed as a result of torture during the Jeju 4․3 Incident. In fact, Kim's Japanese novel 「A Woman Without Breasts」(1981) is written based on anecdotes he heard from a relative and her group of women who stowed away from Jeju, and features women who suffered (sexual) torture during the Jeju 4․3 Incident. On the premise that the literary world of Kim, who has been immersed in Jeju and the 4․3 Revolution in the liberation space for more than 70 years, was creatively driven by the image of women as victims of Jeju 4․3 and sufferers of state violence like 「A Woman Without Breasts」 on a subconscious level, this study attempts to read Kim's Hangul 『Hwasando』 and the river novel 『Hwasando』 to discover the female subjects who are victims of state violence and otherized in the liberation space.
‘Jang Myung-soon’, a liaison in the Hangul 『Hwasando』, who wanted to liberate Jeju and complete the organizational revolution, survived from the massacre scene of mass shooting, and ‘Shin Young-ok’, a character in the river novel 『Hwasando』, participated in the 4․3 Armed Struggle as a guerrilla but survived by choosing to descend the mountain. While their direct involvement in the 4․3 Revolution as members of the Workers' Party of South Korea varied, they both had something in common: a revolutionary will to resist state violence on Jeju. Of course, in the unfinished novel Hangul 『Hwasando』, ‘Jang’ can still be seen as a peripheral female figure in that her transformation into a guerrilla is undeveloped, and likewise for ‘Shin’ who appears as a descended guerrilla, lacking a concrete picture of her life as a guerrilla or active resistance. Yet, they are not fixed as victimized female characters sacrificed by the outbreak of the 4․3 Revolution or suffering physical and mental injuries due to the frustration of the 4․3 Revolution but as new revolutionary female subjects who seek the will to resist and rebel in a situation where armed struggle and violence are countervailing. Kim did not characterize the female figures of 『Hwasando』 as victims of state violence, or “breast less women” but rather as revolutionary female figures that are self-aware of a new will to rebel or who possess the ...
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