言語가 映像에 미치는 影響과 그 聽覺的 Rhythm에 關한 硏究 = A Study of how language affects the image and aural rhythm of dialogue
저자
발행기관
학술지명
권호사항
발행연도
1972
작성언어
Korean
KDC
040.000
자료형태
학술저널
수록면
155-189(35쪽)
제공처
소장기관
Introduction
1. Preface
2. How language is related to image.
(1) Gesture language. (Cinema language)
(2) living language (Conversation)
3. How language is Connected with life environment.
(1) Episode and it's background
(2) Dialogue and it's expression
4. How language is related to rhythm.
(1) Conscious expression and it's rhythm
(2) Poetry and it's way of expression
(3) Poetry and it's rhythmic structure
5. Dialogue and it's aural rhythm.
(1) Internal rhythm
(2) External rhythm
6. Conclusion
(1) The relation between language and image
(2) Dialogue and it's aural rhythm
1. Preface
1) To research how language (Conscious Voice) affects on the image (Visible form) is the most important study of film art because the sense organs of a man immediately rush in to the process of recognition when a human emotion and consciousness are communicated.
2) On the screen, action causes some kind of language just as every dialogus is connected directly with some type of action.
3) Language is a conception of recognition and at the same time it should be regarded as an individual human state.
4) Though so many theories about visual rhythm of image have been studied long since, the more important problem of aural rhythm in the conversation has been unsolved so far.
2. How language is related to image.
1) Under an illusive process of recognition, we feel a perfect real life from the presentation of images on the screen, but even if these excellent images present a living life, we can no more keep endurance to appreciate them without language because conversation is an important element of realism.
2) Cinema language
Any of highly educated intelligent people of to-day do not desire to understand a theme of film by a suggestion, hint or judgement (by Cinema language) but want to comprehend things rapidly and exactly because he is living in the material civilization surounded with scientific ultra speed, variety of tempo and the complicated rhythm of the age.
3) Conversation
An excellent charm of dialogues leads image to give a deep impression upon our mind, by the same way as an intellectual dialogue of modern language makes image to present a realistic emotional sensitivity of modern people.
3. How language is Connected with life environment.
1) Episode and it's back ground
A. Sometimes, back ground expresses the more abundant emotion of episode than language.
B. It should be remembered that a good piece of artistic film is not determined by how the fact of incident is communicated in detail but, by how it exactly expresses the truth in terms of the reality of background.
2) Dialogue and it's expression
The sensuous quality and sharp expression of dialogue with an ability to present a keen state of reality can move our mind to-day
4. How language is related to rhythm.
1) Conscious expression and it's rhythm.
A. The universe consists of numberless elements of rhythm and we live among them and are surounded by them.
B. Mankind created a language at their will and imitated the rhythm of nature in their language.
2) Poetry and it's way of expression.
A. We can find the worth and beauty of language in the visual rhythm (Sentence) of poetry and can hear the charm and music of language from it's aural rhythm.
B. An internal rhythm of consciousness and an external rhythm of aural beauty make us not only feel the clear conception of emotion but receive wonderful images in our mind.
5. Dialogue and it's aural rhythm.
1) Internal rhythm.
A. Dialogue stimulates the listener's mind psychologically and the listener replies with a stimulant dialogue to the speaker. Such a repetition of exciting dialogues forms a chain of spiritual rhythm.
B. Aural rhythm also should be considered in terms of the theory of conflict just as Eisenstein explained his montage of shot as a conflict because the aural rhythm conflict with each other so that it may become an chain of stimulation and becomes a montage of dialogue by the aural rhythm.
2) External rhythm
A. As a shot is one of continuous images so dialogue is a short piece of lasting consciousness to create real life.
B. The harmonious melodies of 'La traviata formed by the emotional rhythm make us fall in to the sensuous impression, just as the splendid aural rhythm of dialogue does so.
6. Conclusion
1) Soviet theorists had so firm a belief to achieve a film montage by the creation of visual conception and they thought those principles of montage could communicate the whole contents of theme perfectly to the audience, but the montage of shots is still far from the full expression of real living.
2) French theorists wanted to extract a genie or a soul from the suggestion of images composed by the visual rhythm and they endeavored with their confidence to reproduce an human life by the presentation of spiritual photographs and visual rhythm of images, but they couldn't describe the reality of life.
3) Now, in the contemporary film, verbal consciousness has to complete the unity of meaning with the help of images and visual consciousness must be systematized by the supplement of languages for the comprehension of the exact intention of author.
4) The aural rhythm of dialogue is an indispensable element of film art to-day, so anyone hardly feels a real life or our age on the screen without it.
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