KCI등재
근대 문학의 장(場)과 김억의 상징주의 수용 = Study On Modern 'Litterature Champ' and Earck Kim's Receiving Symbolism
저자
발행기관
학술지명
권호사항
발행연도
2004
작성언어
-주제어
등재정보
KCI등재
자료형태
학술저널
발행기관 URL
수록면
334-357(24쪽)
제공처
It was in 1910s of the history of Korean modern poetic literature that new contents and forms of poetry had begun to be explored and practiced, though traditional poems and songs had been yet enjoyed in those days. In this history of literature it is enough to be remarkable that Earck Kim had provided the symbolic poetics for a found of the Korean modern poetry in 1910s. Earck Kim's literary activities whose had received and created the symbolic poetics were particularly to be remarkable in the early new-literature. But with these fruits his literature has debated as limits about how he had preponderately received poetry of P. M. Verlaine, and had tended to a senumentality and an musicality. Contrary, his literature also has appraised that he had suggested rules of set-form so called the ‘rhythmical poetics’ in 1930s against a superficial understanding about the receiving symbolism.
This study has seen these characters of Earck Kim not as a limit or a fault of the receiving it but as a speciality and a personality of it, and even has illuminated objective and subjective elements which had these characters of him. For this study has laid a comparative literary view by using a framework(or methodology) that those elements have determinated a character of the receiving it according as D. Durisin had suggested the progressive study of the receiving. If the objective elements are to be a whole literary situation of one state receiving it, then the subjective elements are to be personality, individuality, creativity, and like of the literator in the state. By the way theories of Pierre Bourdieu's the ‘literature champ' and the ‘habitus' have been used as scientific epistemology and methodology in order that this study has explained stricter and more dynamic relationships how the subjective elements of literary subjects have been involved in the objective situations, and how they have determinated a character of the receiving it. For it has been to be thought effective how the ‘litterature champ' has been used to explain the objective elements of the receiver contacting them, and how the 'habitus' to explain the subjective elements of the receiver-self.
With these methodologies this study has first examine on building up the ‘litterature champ' in 1910s and its characters as the objective elements of the receiving. And this study has concretely inquired Earck Kim’s poetic tendency which had regarded importantly sentimentality and emotion of ones as the subjective elements, his experiences of learning in and out Korea, and contents of learning about symbolism in Japan.
Second, this study has tried to rethink a bout Earck Kim's the receiving symbolism based on above results. Anyway, his preponderantly receiving Verlaine could have been issued not from the lack of his power of the receiving symbolism, but from that symbolism had been harmonized with Earck Kim's personal poetic taste. His groping for a modern from of poetry also has been generated in a reflective thought against the utility litterature champ in which had been fixed the literary topical consciousness. And the rhythmic poetics which had tried to seek for rules of our language in 1930s has been turned out to be an inheritance from his inquiry of poetic farms before. Finally, Earck Kim had opened the individuals eyes into their self-consciousness through stimulating their emotions when the utility ideology had been emphasized.
Consequently, Earck Kim in 1910s had obviously shown a direction of future lyrics through his reflection on the literature of the day in terms that he had made a fixed directive point toward the excluding thoughts and meanings from his poetry and the seeking for musicality in it, and that he had enlightened new poets on lyricism as their poetic defect.
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