An analysis of the feeling of loneliness revealed in paintings from an analytical phenomenological perspective : Based on the authors paintings
저자
발행사항
부산 : 경성대학교 대학원, 2017
학위논문사항
Thesis(M.A.)-- 경성대학교 대학원 : 미술학과 2017. 8
발행연도
2017
작성언어
영어
주제어
발행국(도시)
대한민국
형태사항
26 cm
일반주기명
지도교수: 박소현
소장기관
This Master’s Thesis is concerned about how the feeling of loneliness is expressed in the subsequent 13 paintings. These paintings are the basis of the analysis which is conducted by the method of analytic phenomenology. The analysis is applied on each of these main series: (4.1) The Rabbit, (4.2) The Girl and the Rabbit, and (4.3) A Monochrome World, and implies that the feeling of loneliness is expressed in the paintings by (4.1.8) aesthetic whole, (4.2.8) figurative content and (4.3.7) phenomenological depth.
The content of this thesis is divided into five chapters, and is organized in the following way:
Chapter one presents the background of this thesis with a focus on feelings, especially the feeling of loneliness based on my own experiences on the journey of life. I connect loneliness to childhood memories, to language and cultural barriers as a foreigner living in Korea and to being a woman living in a patriarchal world. Subsequently the purpose of the thesis unfolds, which is concerned about identifying the feeling of loneliness in the following 13 paintings made during this Master’s Thesis. In addition, the purpose is to practice introspection as an artist, and to be able to identify the whole creative process involved in the making of art. The main research question examines how loneliness is expressed in my paintings. The help research question elaborates this question, with a focus on how other painters have expressed the emotion of loneliness. The underlying question here is to identify how the feeling of loneliness has evolved visually in the paintings during the two years of the Master’s degree.
Chapter two, renders the art theoretical frame work, and positions my art work in this frame. The theory I will describe is Postmodernism, Neo-Expressionism, theory about the feeling of loneliness and biographical information.
Chapter three gives an account of the methodology of this thesis. The theoretical philosophy is phenomenology. To disclose the underlying theory is important because the ontology determines the perspective of the thesis. Phenomenology centers on how phenomena are experienced from the first person’s point of view, the subjective experience, and the reciprocal relationship between the subject and object of experience. The phenomena will be experienced differently on the basis of each person’s background, interests and understanding. To examine the research question, how loneliness is expressed in my paintings, I use Paul Crowther’s analytical phenomenology. The analysis contains a description and interpretation of how loneliness is being expressed. His constructive theory connects the socio-historical context and the visual aesthetic dimension in his descriptions of the meaning of art.
Chapter four unfolds the analysis by a description and interpretation of my paintings. I examine the pictorial content of each painting to reveal how loneliness is expressed. By doing this the artistic style, the correlated phenomenological depth and artistic potential of picturing emerge. The three different aspects of the analysis, inspired by Crowther’s analytical phenomenology, are: (i) the figure content and the endless possibilities of variations of the subject matter, form, colors and symbolism (ii) the planar structure, and (iii) the planarity trough foreshortening and linear perspective.
The analysis reveals that the feeling of loneliness has developed and been expressed differently during the two years of this Master’s Thesis in relation to how I have felt and experienced my situation. A girl and a rabbit are the dominant figure content of all the paintings, and the rabbit is a symbol of childhood loneliness. In the first series, The Rabbit, loneliness is expressed by the raw and primitive expression of the figure content, and the similar composition and colors. I feel like this reflects a regression to a previous and less advanced state of mind, connected to childhood memories. These different parts of the paintings make up the aesthetic whole and unity of loneliness. The next semester I felt more confident but still feeling lonely, and in the series, The Girl and the Rabbit, the figure content became more realistic and colorful, like they matured into adult women. Overall, the modeling of the figure content was significant in the expression of loneliness the second semester. The final semester I had settled well into the school, but the language barrier was manifest and I still felt lonely. In the series, A Monochrome World I started to use black Korean ink and paper in huge formats. The analysis revealed that the figure content changed and consisted of rabbits in different sizes and shapes, which can mean that the feeling of loneliness increased. Alternatively, it can be interpreted as a way of controlling loneliness. A common denominator in this series is that I try to relate to the Korean viewer by phenomenological depth factors, to connect to the viewer’s experience. I interpret this as a way of trying to connect to Korean culture and to communicate in a common visual language.
Lastly, chapter five terminates the thesis by a conclusion. In short, the analysis reveals that the feeling of loneliness is expressed in the paintings by aesthetic whole, figure content and phenomenological depth. This reflects that the feeling of loneliness is fleeting and can take on different forms and expressions.
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